Events relating to painting

Giovanni Arnolfini, a merchant from Lucca trading in Bruges, commissions from van Eyck a portrait of himself and his wife

Perspective fascinates Italian Renaissance painters after the publication of Alberti's treatise on the subject, De Pictura

The Dominican convent of San Marco, in Florence, is provided with a serenely beautiful series of frescoes by Fra Angelico and his assistants

Piero della Francesca paints masterpieces in his small home town of San Sepolcro

Herat, under Timurid princes, succeeds Tabriz as the main centre of Persian art

Paolo Uccello is interested in the laws of perspective, in works such as The Battle of San Romano

Étienne Chevalier commissions from Jean Fouquet a series of illustrations for his Book of Hours

Oil paints, long familiar in the Netherlands, begin to be adopted in Italy in place of tempera

Andrea Mantegna combines an interest in classical detail and recently discovered perspective

The Sicilian artist Antonello da Messina adopts the Flemish technique of painting in oils

Sandro Botticelli is established as one of the leading painters of Florence, working in particular for the Medici

Tommaso Portinari, the Medici agent in Bruges, commissions an altarpiece from Hugo van der Goes for his family church in Florence

Giovanni Bellini becomes the key figure in the development of the Renaissance style in Venice

Botticelli paints the Birth of Venus and Spring for the villa of a Medici cousin of Lorenzo the Magnificent

Leonardo da Vinci begins an unprecedented series of detailed anatomical drawings, based on corpses dissected in Rome

The lively realism of Kamal-ud-din Bihzad lays the basis of both the Persian and the Mughal schools of painting

Raphael is summoned to Rome by Julius II and is given a major commission for frescoes

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