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St Denis and Chartres
Fifty years later this pious effort at Chartres seems to be divinely rewarded. When the rest of the old cathedral is destroyed in a fire of 1194, the west façade - with its two great towers, and the triple entrance flanked by superb sculptures - miraculously survives (as does the Virgin's tunic). The cathedral authorities, gathering in the funds of the faithful, are inspired to build behind this façade an entire new cathedral in the Gothic style. The soaring interior, with its vertical lines unbroken ...
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Its influence
This 10th-century Bukhara tomb holds the germ of the future. Here the dome - as in the Dome of the Rock - is the main exterior feature of the building. In subsequent centuries domes of this kind become steadily more prominent in the Muslim tradition, attracting the viewer's attention by a variety of means - by size or swelling shape, by delicate fluting or white marble or a bright skin of ceramic tiles. Notable examples in the 14th century are a Mongol tomb at Soltaniyeh ...
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Roman roads
The great network of Roman roads, the arterial system of the empire, is constructed largely by the soldiers of the legions, often with the assistance of prisoners of war or slave labour. The amount of labour involved is vast, for these highways are elaborate technological undertakings. The average width of a Roman road is about 10 yards. Below the paved surface the fabric extends to a depth of 4 or 5 feet in a succession of carefully constructed layers.
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The life
The London theatres are closed for fear of the plague during 1592 and 1593 apart from brief midwinter seasons, but in 1594 things return to normal and Shakespeare's career accelerates. He is now a leading member of London's most successful company, run by the Burbage family at the Theatre. Patronage at court gives them at first the title of the Lord Chamberlain's Men. On the accession of James I in 1603 they are granted direct royal favour, after which they are known as the King's ...
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The popes at Avignon
In many ways the move to Avignon has a rational justification. This city is close to the main power of the time, France, but it is in another kingdom - that of Naples. It is also the centre of western Europe in a way which Rome could never be. Lines drawn from Britain to Italy and from Germany to Spain would cross close to Avignon. In addition this place is much more secure than Rome. Italy is in a state of anarchy, dominated by warring ...
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The Forty-Five
Charles Edward Stuart seems to be offered an unrepeatable opportunity when France declares war on Britain in 1744, during the War of the Austrian Succession. He participates in early French plans for invasion of Britain. These are soon abandoned, but events in 1745 - with Britain losing to France in the campaign on the continent - convince the young prince that he stands a chance of success in Scotland even without foreign support.Charles lands in the Hebrides early in August 1745. The Jacobite Highland clans ...
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Indian sculpture
In the early centuries, Hindu and Buddhist art falls within the same tradition (the magnificent Buddhist carvings on the Great Stupa at Sanchi seem entirely Hindu). But Buddhist sculpture acquires a character of its own when the religion moves outwards from India to the northwest. From the 1st century AD there is a strong school of Buddhist sculpture in what is now northwest Pakistan. Known by the ancient name of Gandhara, this region is open to foreign influences arriving along the newly opened Silk Road. ...
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The Sassanians
Near Persepolis, at Naqsh-e-Rustam, Ardashir commissions a great relief sculpted high in the rock face. It depicts him on horseback, with a dead Parthian beneath his horse's hooves, while he receives the royal crown from Ahura Mazda. With the restoration of the first authentically Persian dynasty since the Achaemenids, the cult of Ahura Mazda becomes again the official state religion. There is now a ritual hierarchy throughout the empire, with chief priests for each major district and a supreme priest wielding overall authority.
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Buddhist murals
Monks and pilgrims play an important part in the practice of Buddhism. Both are attracted to caves in remote places. And the profusion of popular stories in Mahayana Buddhism (on topics such as the adventures of Buddha in his previous lives on earth) provides a rich source of material for narrative paintings on the walls of the caves. Two places suggest more vividly than any others the vitality of Buddhist cave painting from about the 5th century AD. One is Ajanta, a site in India ...
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Italian Gothic
More typical of Venetian Gothic is the exquisite Ca' d'Oro, built betwen 1421 and 1440. There is a wonderful contrast and harmony between the wall with its nine inset windows on the right (stone with an occasional pattern of space) and the three tiers of balconies with their filigree arches on the left (space with an occasional pattern of stone). This design blends the Gothic with other influences, deriving from Venice's connections with the Byzantine and Muslim east. The result is a beauty, purely Venetian, ...
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Villa and country seat
The single most imitated aspect of Palladio's style is his use of columns and pediment as a portico in front of a house (his model being the Pantheon in Rome). In broader terms the balance and the relative simplicity of classical design are his hallmark. Palladio's most striking influence is seen in the great houses of 18th-century England. By then part of his appeal is in reaction against a very different and far from reserved style which has intervened during the 17th century - that ...
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The Dome of the Rock
The Dome of the Rock, completed in 691 and the earliest surviving example of Muslim architecture, borrows in spectacular fashion the themes of Byzantine mosaic and domed roof. This city of Jerusalem, taken from the Christians only half a century previously, still has the skills and crafts first developed for use in imperial churches. The dome itself is a great wooden structure. The caliph has both interior and exterior of the shrine lavishly decorated in a combination of polished marble and glittering glass mosaic against ...
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Dost Mohammed
Kabul is taken in 1818 by an Afghan tribe, the Barakzai, led on this occasion by Dost Mohammed - the twentieth but the most forceful of the twenty-one sons of the tribal chieftain. Civil war against supporters of the Durrani continues for several years, until in 1826 the country is safely divided between Dost Mohammed and some of his brothers.Dost Mohammed receives the greatest share, in a stretch from Ghazni to Jalalabad which includes Kabul. He soon becomes accepted as the leader of the nation, ...
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The Pala d'Oro
In addition to its Byzantine mosaics, St Mark's contains in the Pala d'Oro the most spectacular surviving altarpiece of a kind familiar in imperial Byzantine churches. Small scenes in cloisonné enamel of Jesus, the Virgin and saints are set in a gold background encrusted with jewels. Commissioned from the workshops of Constantinople by a doge of the 10th century, the original Pala d'Oro is dismantled and extended several times to incorporate new panels. It acquires its present form in 1345. Some of the added panels ...
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Amphibious war against Japan
A significant step in the slow move north towards Japan is the US assault, in February 1944, of a strong naval base in the volcanic cluster of the Truk Islands. Eleven Japanese warships and more than 300 planes are destroyed here, in the first radar-guided night attack. After this it is clear that the next target must be the Marianas, a group of islands which the Japanese rightly regard as a crucial line of defence. From here US planes will be within bombing range of ...
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Romanesque
The capitals of columns, carved with nothing more exotic than acanthus leaves in the classical tradition, provide one area in which the Romanesque sculptor lets his imagination run wild. In abbey cloisters of the period (and abbots are among the main patrons of art in the Romanesque centuries) the tops of the pillars are often alive with vivid biblical scenes or endearingly grotesque monsters, cunningly carved to make the most of the available shape. This tradition of sculpture, reaching its peak in the 11th and ...
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The sphinx
The most colossal sculpture of the ancient world is the Egyptian sphinx. The great lion with a human face is carved from the centre of a limestone quarry, after the tons of stone which once surrounded it have been hacked and dragged away to form the greatest of the three nearby pyramids, that of the pharaoh Khufu. The sphinx lies guarding the pyramids at Giza. Its face is believed to bear the features of Khafre, son of Khufu, whose own pyramid is only slightly more ...
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Van Eyck and portraiture
The faces in the panels of the Ghent altarpiece are so real that they could be portraits, and indeed two of the panels depict the kneeling donors. This degree of realism, introduced here in Flanders, is also found in the paintings by van Eyck which are commissioned as portraits - again among the first of their kind. Van Eyck's most famous portrait is of a married couple - an Italian merchant in Bruges, Giovanni Arnolfini, and his wife Giovanna. Painted in 1434 and known now ...
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Karnak and Luxor
These temples are built and added to over a long period. But the grandeur which now remains is mainly from the two centuries after 1500 BC (much of it designed to celebrate the military victories of pharaohs of the New Kingdom, as is the extraordinary rock-cut temple of Abu Simbel). Greek architecture will later refine the ponderous elements in this ancient Egyptian style, slimming the fat pillars, formalizing the decoration, introducing better balance and proportion. As a result the most lasting of all architectural conventions ...
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The sculptures of Chartres
The earliest porch of Chartres cathedral - the triple entrance in the west façade - introduces Gothic sculpture in its most extreme form. Each of the biblical kings and queens stands on a tiny platform projecting from a tall, thin pillar. To suit their circumstance, their bodies are impossibly elongated within the tumbling pleats of their full-length robes. Yet their faces, by contrast, are realistic and benign. The result is an effect of ethereal calm, entirely in keeping with Gothic architecture. One of the Chartres ...
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