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| 1252 |
| | A huge bronze sculpture, known as Daibutsu and cast in Kamakura, depicts Amida, the Amitabha Buddha of Pure Land Buddhism | |
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| 1259 |
| | Nicola Pisano completes a pulpit for Pisa, borrowing details from Roman sarcophagi - an early example of a new interest in the classical past | |
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| 1395 |
| | Philip II of Burgundy commissions from Netherlands sculptor Claus Sluter a work, the Well of Moses, which launches the northern Renaissance | |
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| 1411 |
| | The linen drapers of Florence commission a statue of St Mark from Donatello, who carves for Orsanmichele the first free-standing Renaissance sculpture | |
| | Donatello, St George Fotofile CG
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| 1499 |
| | 24-year-old Michelangelo provides for St Peter's in Rome an exquisite Pietà – the Virgin holding on her lap the dead Christ | |
| | Pietà Michelangelo Fotofile CG
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| c. 1500 |
| | The people of Benin begin a lasting tradition of sculpture in brass, melted down from objects brought by traders | |
| | Nigerian Bronze Head, 16th century British Museum
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| 1501 |
| | Michelangelo begins work in Florence on a tall thin slab of marble, which he transforms into David | |
| | David Michelangelo Fotofile CG
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| 1505 |
| | Pope Julius II summons Michelangelo to Rome to create the pope's own elaborately sculpted tomb | |
| | One of the 'slaves' for the tomb of Julius II Fotofile CG
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| 1622 |
| | Bernini's youthful Pluto and Proserpina, suggesting soft flesh in cold marble, introduces the lively tradition of baroque sculpture | |
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| 1667 |
| | Wood-carver Grinling Gibbons arrives from Holland to begin an immensely successful career in England | |
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